The music of Holm Legacy Publishing is intended to be enjoyed by both performers and listeners. We offer music that is meaningful, interesting, beautiful, and useful.
Original compositions include music for orchestra, choir, string quartet, flute, and various chamber ensembles.
Contact Barbara Holm about commissioning a piece for a particular ensemble or special occasion.
News:
- parts of "Tucson Suite" were performed by the Legacy Ensemble
at a Composers' Forum Tuesday Salon on Sept. 20
- "Prayer of Saint Anselm" for flute and organ was premiered April 29, 2011, at Saint Anselm College in Manchester, New Hampshire.
- ORCHESTRA PREMIERE:
"Overture" was premiered February 20, 2011,
by the Saint Paul Civic Symphony,
Jeffrey Stirling conducting.
- "Psalm For Christmas Day" for handbells and SATB was premiered January 2, 2011, during worship services at Holy Trinity Lutheran Church
- New Releases:
- "Tucson Suite" for flute, violin, and cello
- "Prayer of Saint Anselm" for flute and organ
- "Overture" for orchestra
- "Psalm For Christmas Day" SATB, handbells (3 octave)
- "The Windhover" for high voice and piano, featuring the powerful text by Gerard Manley Hopkins
Arrangements for flute, violin, and cello:
These are done specifically for these instruments, taking into consideration the unique qualities, ranges, and possibilities of each. They include easier pieces (“Four Scandinavian Folk Songs”) to very challenging and complete works (“Trio in E flat” of Mozart) The quality of the original music, the suitable arrangement, the legible notation, and the carefully thought out page turns, make these trios a joy to play for many types of performances. The Legacy Ensemble has enjoyed adding these to their repertoire, and hopefully you will like them as well.
About Barbara Anne Koenen Holm:
She received a Master of Music degree in Flute Performance from The Boston Conservatory in 1990. She began composition studies with Larry Bell of Boston. After moving back to Minnesota she studied with Chris Granias at the MacPhail School of Music in Minneapolis. She continues to be an active composer (currently studying with Carol Barnett), arranger, teacher, and performer in many ensembles, which have included The Metropolitan Wind Symphony of Boston, The St. Paul Civic Symphony, The Highland Park Trio, and The Legacy Ensemble. Her philosophy of music is that a composition should offer a meaningful experience to both the performer and the listener.
